The accident happened as he was crossing again on his way back.” I saw Angelopoulos next to the cordon looking somewhere in the distance.”Īccording to Lambropoulos, the filmmaker “was about to cross the road to give instructions about how the trucks carrying the migrants needed to be arranged. “It wasn’t very interesting, photographically. This tribute to Theo Angelopoulos was prompted by the photograph here, taken by Ilias Bourgiotis on that day, for no particular reason. The initial idea had come from Bertolt Brecht’s “Threpenny Opera,” but we will never know the final story, what his vision for the film was. “The port of Piraeus is where everything happens, with the constant departures and arrivals of ships, like a perpetual migration, internal and external,” Angelopoulos had said, explaining the premise of what was his 14th and last – unfinished – film. Producer Costas Lambropoulos (who had working with the director since 1984 and the film “Voyage to Cythera”), director Panayiotis Portokalakis (his assistant on “Ulysses’ Gaze,” 1995) and photographer Ilias Bourgiotis (they first met in 2004 on “The Weeping Meadow”) were among the cast and crew on the set of “The Other Sea.” Two of his daughters were also there, working with him for the very first time, Katerina as a set designer and Eleni in casting.
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